Geistė Marija Kinčinaitytė: Littered With Black Dust: Solo exhibition

6 - 31 May 2025
Installation Views
Overview

Exhibition Opening: 

2025 05 06, 18:00 - 20:00

Geistė Marija Kinčinaitytė's work explores the phenomena of interplanetary photography and its implications for our relationship with Earth and other planets. The exhibition Littered with Black Dust presents new photographic works and a video installation that raise questions about the New Space Age, in which most research and resources are focused on the development of the lunar economy. As in her previous project, You Belong to Me (2014–ongoing), the geology of Iceland acts as a catalyst for exploring ideas about the past and future of space exploration. Drawing on works from the artist's book Sunless Seas of Ice (2024), the exhibition looks at photographs of the lunar landscape from NASA archives, rock samples, dust particles, vast lava fields and a melting glacier covered in ash.

Works
  • Geistė Marija Kinčinaitytė Be pavadinimo (Blyksniai) / Untitled (Flashes), 1971-2025 80 x 60 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo (Blyksniai) / Untitled (Flashes), 1971-2025
    80 x 60 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo (Blyksniai) / Untitled (Flashes), 1971-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo (Išorėje) / Untitled (Outside), 1967-2025 80 x 60 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo (Išorėje) / Untitled (Outside), 1967-2025
    80 x 60 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo (Išorėje) / Untitled (Outside), 1967-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo (Mėginys 10048) / Untitled (Sample 10048), 1969-2025 60 x 80 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo (Mėginys 10048) / Untitled (Sample 10048), 1969-2025
    60 x 80 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo (Mėginys 10048) / Untitled (Sample 10048), 1969-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo (Mėginys 61135) / Untitled (Sample 61135), 1972-2025 80 x 60 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo (Mėginys 61135) / Untitled (Sample 61135), 1972-2025
    80 x 60 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo (Mėginys 61135) / Untitled (Sample 61135), 1972-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo (Žymės) / Untitled (Traces), 2023-2025 120 x 80 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo (Žymės) / Untitled (Traces), 2023-2025
    120 x 80 cm
    € 2,200.00
    Geistė Marija Kinčinaitytė, Be pavadinimo (Žymės) / Untitled (Traces), 2023-2025
    € 2,200.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 2023-2025 120 x 80 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 2023-2025
    120 x 80 cm
    € 2,200.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 2023-2025
    € 2,200.00
  • Geistė Marija Kinčinaitytė Be pavadinimo (Viduje) / Untitled (Inside), 2023-2025 80 x 120 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo (Viduje) / Untitled (Inside), 2023-2025
    80 x 120 cm
    € 2,200.00
    Geistė Marija Kinčinaitytė, Be pavadinimo (Viduje) / Untitled (Inside), 2023-2025
    € 2,200.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 1972-2025 80 x 60 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 1972-2025
    80 x 60 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 1972-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 1972-2025 80 x 60 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 1972-2025
    80 x 60 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 1972-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 1972-2025 80 x 60 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 1972-2025
    80 x 60 cm
    € 1,600.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 1972-2025
    € 1,600.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 2023-2025 70 x 90 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 2023-2025
    70 x 90 cm
    € 2,100.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 2023-2025
    € 2,100.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 2023-2025 70 x 90 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 2023-2025
    70 x 90 cm
    € 2,100.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 2023-2025
    € 2,100.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 2023-2025 70 x 90 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 2023-2025
    70 x 90 cm
    € 2,100.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 2023-2025
    € 2,100.00
  • Geistė Marija Kinčinaitytė Be pavadinimo / Untitled, 2023-2025 70 x 90 cm
    Geistė Marija Kinčinaitytė
    Be pavadinimo / Untitled, 2023-2025
    70 x 90 cm
    € 2,100.00
    Geistė Marija Kinčinaitytė, Be pavadinimo / Untitled, 2023-2025
    € 2,100.00
  • Geistė Marija Kinčinaitytė Pelenų sluoksniai (Izabelei) / Layers of Ashes (For Isabelle), 2025 3' 30'' Super 8 perkelta į 4K video / Super 8 transferred to 4K video Garso dizainas / Sound design: NIM
    Geistė Marija Kinčinaitytė
    Pelenų sluoksniai (Izabelei) / Layers of Ashes (For Isabelle), 2025
    3' 30''
    Super 8 perkelta į 4K video / Super 8 transferred to 4K video
    Garso dizainas / Sound design: NIM
    € 4,900.00
    Geistė Marija Kinčinaitytė, Pelenų sluoksniai (Izabelei) / Layers of Ashes (For Isabelle), 2025
    € 4,900.00
Press release
Geistė Marija Kinčinaitytė’s solo exhibition Littered with Black Dust
06.05.2025 – 31.05.2025
 
Through stories, images, maps, and speculations, the Moon became a place before we stepped on its surface. Since the late 1960s, it has also become a destination. Scientists studying planetary bodies transform these distant objects into places. Anthropologist Lisa Messeri calls this planetary ‘place-making’1: the process of narrating, visualising, mapping, and imagining them as habitable, either by humans or more-than-humans. The vastness of the cosmos becomes a stage for aspiration, scaled to the human experience and desire.
 
In Littered with Black Dust, Geistė Marija Kinčinaitytė exposes and reframes the act of ‘placing outer space’. Using photography, moving image, and post-photographic archives, the exhibition traces and speculates on how scientific infrastructures and imaging technologies have rendered the Moon intelligible. These works also interrogate the techno-utopian logics that frame it as a site of extraction. Cold, airless, and uninhabitable (for now), the Moon shifts from alien to familiar, creating a fleeting sense of intimacy, only to return us – again – to the eerie and unreachable.
 
Archival photographs from the US Apollo missions from 1961 to 1972 are reproduced and reframed. In Untitled (Sample 10048) and Untitled (Sample 61135), lunar fragments appear staged for documentation, transforming what was once a landscape into a data sample. As Estelle Blaschke and Armin Linke observe2, the evolution of photography as an information technology shaped scientific ideals of objectivity and truth. Kinčinaitytė’s re-enactments resist this evidentiary logic. They slow the gaze and reveal these images as operational tools within infrastructures of planetary governance.
 
Kinčinaitytė’s landscape photography becomes a site of slippage between Earth and Moon. In the series Untitled (2023–2025) and Untitled (1972–2025), soon-to-be-landed lunar scenes coexist with Icelandic lava fields and geothermal terrains. These sites have long served as stand-ins for planetary research. Apollo astronauts trained in the region around Askja, Iceland, and today, the same sites support habitat simulations and equipment testing for future extraterrestrial missions.
 
Drawing on the scientific logic of analogue fieldwork, these images invite disorientation and speculation. Amid the black basalt, one might half-believe they have arrived on the Moon, just as scientists have claimed at sites like the Mars Desert Research Station.3 This ‘double exposure’ of Moon and Earth, as Messeri argues, becomes a juxtaposition of time and place: the landscapes appear both earthly and otherworldly, projecting imagined lunar futures onto present-day terrains.
 
This doubling culminates in the sculptural video installation Layers of Ashes (For Isabelle) (2025). Anchored in place, the camera pans in circular sweeps across Icelandic sites, as if tracing the view of someone newly landed, but never quite arriving. Volcanic strata, crashing oceans, and fractured ice flicker between presence and disappearance. Shot on Super 8, the film resists the clarity and authority of digital resolution. Its grainy texture, intermittently washed in red atmospheres and paired with an eerie soundscape, heightens its disorientation. There is no walking into the landscape; no momentum of exploration. Only observational drift across a horizonless expanse. The film unfolds as a hauntological record of an explorer who never appears, suspended in a double exposure of Moon and Earth. 
 
In the age of the New Space Race, Littered with Black Dust proposes a critical counter-imaginary. Kinčinaitytė’s works probe the instruments, failures, and longings embedded in the images that shape our planetary imagination. The Moon, covered in regolith, emerges as an epistemic surface, speculative terrain, and site of extractive desire. In its flickering exposures and unsettled geographies, the Earth rehearses the lunar, and perception gives way to doubt. In this dust, we might find a space to resist the techno-utopian fantasies that propel planetary futures.
 
Text written by Ana Prendes.


1 Lisa Messeri, Placing Outer Space: An Earthly Ethnography of Other Worlds (Durham: Duke University Press, 2016).

2 Estelle Blaschke and Armin Linke, Image Capital (2022–2023), online publication, https://image-capital.com/imaging/.

3 Lisa Messeri, Placing Outer Space: An Earthly Ethnography of Other Worlds (Durham: Duke University Press, 2016).