Flora Lechner
Bloom chain (Necklace / Vėrinys), 2022
Sidabruoto žalvario grandinėle, epokside užkoncervuotos gėlės, epoksidiniai liejiniai / silver plated brass chain, epoxy dipped flowers, epoxy pendants
41.5 centimeters in length.
€ 239.00
Further images
A silver plated brass necklace with epoxy dipped flowers and epoxy pendants. Each necklace is unique and assembled by hand. The silver plated chain is manufactured in Germany and the...
A silver plated brass necklace with epoxy dipped flowers and epoxy pendants. Each necklace is unique and assembled by hand. The silver plated chain is manufactured in Germany and the epoxy resin pieces are handmade. The flowers are dipped several times when fresh and dried, becoming preserved living matter. The epoxy pendants contain plastic gems and glitter and use the leftover resin from the dipping process.
Flora Lechner is a designer from Vienna, Austria, currently based in the Netherlands.
She takes an interdisciplinary approach in her work, combining sculpture, design and moving images. She first and foremost examines the utility and handling suggested by an object or material. Flora tries to interrupt, repurpose or even overemphasize the suggestion by confronting the object with its absurdities. In this way, she plays with guidelines and imagination, exploring different levels of reality and challenging the conventions of shifts in form and material, always maintaining a humorous perspective. She likes to see her works as small stages or potential action spaces, playing with the idea of activation and ghostly stasis.
Flora Lechner is a designer from Vienna, Austria, currently based in the Netherlands.
She takes an interdisciplinary approach in her work, combining sculpture, design and moving images. She first and foremost examines the utility and handling suggested by an object or material. Flora tries to interrupt, repurpose or even overemphasize the suggestion by confronting the object with its absurdities. In this way, she plays with guidelines and imagination, exploring different levels of reality and challenging the conventions of shifts in form and material, always maintaining a humorous perspective. She likes to see her works as small stages or potential action spaces, playing with the idea of activation and ghostly stasis.