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Open a larger version of the following image in a popup: Vytautas Gečas, Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019 Photographed by Jonas Balsevičius
Open a larger version of the following image in a popup: Vytautas Gečas, Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019 Photographed by Jonas Balsevičius
Open a larger version of the following image in a popup: Vytautas Gečas, Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019 Photographed by Jonas Balsevičius
Open a larger version of the following image in a popup: Vytautas Gečas, Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019 Photographed by Jonas Balsevičius
Open a larger version of the following image in a popup: Vytautas Gečas, Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019 Photographed by Jonas Balsevičius
Open a larger version of the following image in a popup: Vytautas Gečas, Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019

Vytautas Gečas Lithuanian, b. 1987

Collaboration with Marija Puipaitė: Romance & Gravity (Dresser), 2019
Carbon fiber, epoxy resin, aluminum, black oxide finish steel
Made to order creations can be done: please contact us for any request.
184 (H) x 85 (W) x 54 (D) cm
Edition of 5 plus 1 AP
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Photo: Laurynas Skeisgiela // In 2018 during their residency at the Cité Internationale des Arts in Paris, the contextual design duo of Marija Puipaitė and Vytautas Gečas began artistic research...
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Photo: Laurynas Skeisgiela // In 2018 during their residency at the Cité Internationale des Arts in Paris, the contextual design duo of Marija Puipaitė and Vytautas Gečas began artistic research into the decor. Taking as their point of reference the idea that the Baroque epoch at its outset was associated with something ‘peculiar and unnecessarily complicated’, they linked it to the depreciation of decor in our everyday environment. While analyzing historical artifacts and techniques, they focused on the actualization of decor and its possible manifestations in the context of contemporary design.

Marija Puipaitė and Vytautas Gečas employed such decorative elements as frames and folds and transformed them into autonomous, almost conscious functional works. The mirror frame, which itself became a mirror, and the dresser, inspired by racing technology, display motifs of deformation and fluidity, as if their form was shaped by time and speed.
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