Gytis Arošius Lithuanian, b. 1996
Tinnitus, 2022
Aliejus ant drobės / Oil on canvas
100 x 180 x 2 cm
39 1/2 x 71 x 1 in
39 1/2 x 71 x 1 in
€ 2,300.00 / Starting Bid: € 2000.00
Gytis Arošius (g. 1996) – tapytojas, 2021 m. baigė tapybos magistro studijas Vilniaus Dailės Akademijoje. Menininkas yra surengęs personalinių parodų, dalyvavo grupinėse parodose Lietuvoje bei užsienyje. Jo kūryba, įkvėpta brutalistinės...
Gytis Arošius (g. 1996) – tapytojas, 2021 m. baigė tapybos magistro studijas Vilniaus Dailės Akademijoje. Menininkas yra surengęs personalinių parodų, dalyvavo grupinėse parodose Lietuvoje bei užsienyje. Jo kūryba, įkvėpta brutalistinės architektūros, pramoninių pastatų konstrukcijų ir karinio transporto. Kūriniuose vyrauja tamsiai mėlynų atspalvių variacijos su iš kūrinio gelmės įsiterpiančiais šviesos žybsniais. Tapytojas savo paveikslus konstruoja pasitelkdamas paties darytas fotografijas, į kurias įterpia neegzistuojančių, pramanytų vaizdinių.
EN
Gytis Arošius, a Lithuanian painter born in 1996, graduated from the Vilnius Academy of Art in 2021 with a Master’s degree in Painting Studies. Known for his monochromatic palette, particularly dark blue tones, Arošius explores a retro-futuristic aesthetic that captures the looming dread of impending catastrophes and their aftermath.
In his artworks, elements of brutalist architecture, metallic structures, and machinery intertwine with obscured human figures, creating an atmosphere of paranoia and alienation. Arošius constructs his compositions using self-taken photographs, infusing them with imagined objects or historic military transport from the Cold War era. Through his art, he prompts viewers to confront their own anxieties about the future, inviting reflection on the interconnectedness of time, emotion, and the human condition.
EN
Gytis Arošius, a Lithuanian painter born in 1996, graduated from the Vilnius Academy of Art in 2021 with a Master’s degree in Painting Studies. Known for his monochromatic palette, particularly dark blue tones, Arošius explores a retro-futuristic aesthetic that captures the looming dread of impending catastrophes and their aftermath.
In his artworks, elements of brutalist architecture, metallic structures, and machinery intertwine with obscured human figures, creating an atmosphere of paranoia and alienation. Arošius constructs his compositions using self-taken photographs, infusing them with imagined objects or historic military transport from the Cold War era. Through his art, he prompts viewers to confront their own anxieties about the future, inviting reflection on the interconnectedness of time, emotion, and the human condition.