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Photo by Jonas Balsevičius
Photo by Jonas Balsevičius
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Photo by Jonas Balsevičius
Photo by Jonas Balsevičius
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Photo by Jonas Balsevičius
Photo by Jonas Balsevičius
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Photo by Jonas Balsevičius
Photo by Jonas Balsevičius
Kristina Ališauskaitė b. 1984
Nobody Saw Him, atspaudas / print, 2017
Giclée spauda ant Hahnemühle Albrecht Dürer 210g popieriaus. Menininkės pasirašyta ir sunumeruota. / Giclée print on Hahnemühle Albrecht Dürer 210g paper. Signed and numbered by the artist.
35.5 x 43 cm
50 x 56 x 3 cm (Įrėminta / Framed)
50 x 56 x 3 cm (Įrėminta / Framed)
Edition of 100
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Kristina Ališauskaitė is an artist from Lithuania. In 2009, Kristina completed MA painting studies in Vilnius Academy of Arts. After the studies she was awarded a „Young artist‘s“ public prize...
Kristina Ališauskaitė is an artist from Lithuania. In 2009, Kristina completed MA painting studies in Vilnius Academy of Arts. After the studies she was awarded a „Young artist‘s“ public prize in the contest of the Baltic states (2013). In 2014 she was granted an individual scholarship of the Ministry of Culture. Since 2015 she has been a member of Lithuanian Artists‘ Association.
Kristina uses her personal experiences as material for analyses of universal states. Although she doesn‘t use traditional archetypal imagery, an analogous result is achieved – it invokes collective unconscious. By depersonalizing, levelling, fragmenting the characters she refines a state, an experience, a psychological situation as such and turns it / them into the main character. Memory becomes a significant thematic axis – the power of fuzzy remembrances to influence the present and the future
Kristina uses her personal experiences as material for analyses of universal states. Although she doesn‘t use traditional archetypal imagery, an analogous result is achieved – it invokes collective unconscious. By depersonalizing, levelling, fragmenting the characters she refines a state, an experience, a psychological situation as such and turns it / them into the main character. Memory becomes a significant thematic axis – the power of fuzzy remembrances to influence the present and the future
