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Photo by Jonas Balsevičius
Photo by Jonas Balsevičius
Open a larger version of the following image in a popup:
Photo by Jonas Balsevičius
Photo by Jonas Balsevičius
Kristina Ališauskaitė b. 1984
She wanted to be a queen, riboto tiražo atspaudas / limited edition print, 2021
Riboto tiražo atspaudas / Limited edition print
Spauda / Print: Giclée. Popierius / Paper: Hahnemühle Albrecht Dürer 210 gsm
Menininkės pasirašyta ir sunumeruota / Signed and numbered by the artist
Spauda / Print: Giclée. Popierius / Paper: Hahnemühle Albrecht Dürer 210 gsm
Menininkės pasirašyta ir sunumeruota / Signed and numbered by the artist
47 x 36 cm
Originalas / Original: Aliejus, mediena / Oil on wood, 40.5 x 30.5 cm
Originalas / Original: Aliejus, mediena / Oil on wood, 40.5 x 30.5 cm
Tiražas / Edition of 100
Further images
Kristina Ališauskaitė is an artist from Lithuania. In 2009, Kristina completed MA painting studies in Vilnius Academy of Arts. After the studies she was awarded a „Young artist‘s“ public prize...
Kristina Ališauskaitė is an artist from Lithuania. In 2009, Kristina completed MA painting studies in Vilnius Academy of Arts. After the studies she was awarded a „Young artist‘s“ public prize in the contest of the Baltic states (2013). In 2014 she was granted an individual scholarship of the Ministry of Culture. Since 2015 she has been a member of Lithuanian Artists‘ Association.
Kristina uses her personal experiences as material for analyses of universal states. Although she doesn‘t use traditional archetypal imagery, an analogous result is achieved – it invokes collective unconscious. By depersonalizing, levelling, fragmenting the characters she refines a state, an experience, a psychological situation as such and turns it / them into the main character. Memory becomes a significant thematic axis – the power of fuzzy remembrances to influence the present and the future
Kristina uses her personal experiences as material for analyses of universal states. Although she doesn‘t use traditional archetypal imagery, an analogous result is achieved – it invokes collective unconscious. By depersonalizing, levelling, fragmenting the characters she refines a state, an experience, a psychological situation as such and turns it / them into the main character. Memory becomes a significant thematic axis – the power of fuzzy remembrances to influence the present and the future
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